Makeup effects creator Rick Lazzarini and his
[Canoga Park] based company, [The Character
Shop], supplied one of GHOSTBUSTERS II's most
impressive monsters, the "Theatre Ghost." Occupying only
five seconds of screen time, the six-eyed, four-armed,
winged creature (complete with stinger) - which chased
hoards of panic-stricken New Yorkers from a movie house
and then zoomed hungrily toward the camera-required
approximately 14 different articulated parts! Rather than
use multiple operators, each working a couple of servo
mechanisms, Lazzarini, who spent a year at Boss Film and
was an apprentice to Stan Winston, eschewed standard
practice and used his self-taught mechanical know-how to
develop a device which allows a single operator to
control up to 16 channels of movement. Dubbed the "Facial Waldo," Lazzarini's device consists
of a cap-like rig which attaches to a puppeteer's head
and face complete with a chin cup, plastic and Velcro
tabs which serve as sensors. These sensors register the
puppeteer's facial movements and send an electrical
signal that the servo interprets and duplicates on the
creature's face. If I moved one eyebrow, all six brows on
the ghost's face would frown!" said Lazzarini. "At the
same time, my hands were free to control the wings, while
other puppeteers operated the arms and stinger."
Lazzarini stood directly behind the "Theatre Ghost,"
using the Waldo to control nine separate movements, while
supporting the creature with his body. Draped in black
velvet, Lazzarini was matted-out of the shot during
postproduction. Lazzarini also used his "Waldo" device
for a second delightful demon titled the "Frog Ghost"
(eventually edited out).
Copyright CINEFANTASTIQUE, 1989. Article reproduced for review
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GHOSTBUSTERS II
The Frog Ghost, axed when the live-action subway
footage didn't work.
Lazzarini (r) with the Facial Waldo and Theater
Ghost.
Rick's note: A nice, brief little mention.
The fun part was watching Jon.P nearly vomit while thrashing
the arms of the Frog Ghost around, and wagging his head
violently about to move the tongue! He had a helmet with a
stiff rubber hose attached, whihc went into the creatures
massive tongue. Talk about full body contact!
Article from CINEFANTASTIQUE, 1989.
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