By KURT PITZER CANOGA PARK - Flanked by the severed heads
and drooling monsters he created for movies such as
"Aliens" and "Slumber Party Massacre," Rick Lazzarini
seems an unlikely pioneer for the health sciences. One
might hardly expect the man behind television's Foster
Farms chickens and Duracell boxers to know much about the
human pancreas or bile duct. But with techniques honed for Hollywood, the puppeteer
and special effects wizard has crafted a set of lifelike
organs to help train surgeons for the new art of
endoscopic surgery. Moviegoers may recoil from cinematic
gore, but surgeons love his gallbladder. Practice with Lazzarini's unique, silicone rubber
hernia model or uterus, surgeons say, could help
dramatically lower the number of botched jobs that have
plagued early endoscopy. The reusable innards also could
reduce the number of live pigs or expensive cadavers
sliced open for training. "Surgeons have been searching for models to work on
forever," said Dr. Robert Gordon of EndoCare, a West Los
Angeles-based surgery center that developed the models
with Lazzarini. "This is the closest you can get to the
real thing without a beating heart and an
anesthesiologist yelling at you." The use of endoscopes-tiny video cameras and surgical
tools inserted into the patient at the end of thin
tubes-revolutionized surgery during the late 1980's. The
new technique meant shorter hospital stays and smaller
scars for patients needing relatively minor operations.
But the procedure required surgeons nationwide to trade
scalpels for a whole new set of tools and watch their
movements on a video screen instead of directly in the
patient. As surgeons quickly tried to learn the tricky
Nintendo-like methods of removing gallbladders, treating
hernias and diagnosing stomach, lung and eye problems,
mistakes were made. "It was the largest post-graduate
training effort ever attempted," Dr. Edward H. Phillips,
director of endoscopic surgery at Cedars-Sinai Medical
Center, said of the switch to the new method. "There was
simply no precedent or systems to train the 20,000 to
25,000 surgeons who wanted to learn the technique right
away." Some older and less-nimble surgeons had trouble
adapting. In 1992, New York hospital data revealed a rise
in injuries to gallbladder patients since laparoscopic
Surgery- endoscopic surgery performed through the
abdomen-became a popular method of treat- ment. It was
clear the surgeons needed practice. The demand for
practice subjects became a boon for U.S. pig farmers, who
suddenly found hospitals a market for thousands of their
animals, whose gastrointestinal systems are similar to
those of humans. But pig parts wear out. Gordon said he and EndoCare
Director Stephen Shapiro had built a box in 1990 to
simulate the human frame, but were "frantic" to find
materials that resembled human tissue to put inside. They
tried broccoli spears. Too soft. They tried elbow
macaroni. It ripped too easily. Finally, Gordon said, the
EndoCare office manager, tired of grocery shopping one
item at a time, pointed out the office window toward the
nearby Fox Studios building. "She said, 'Look over there. If they can make aliens
fly out of Sigourney Weaver's chest, they can probably
make you a gallbladder,'" Gordon said. "So we made a few
calls and married the two great industries of medicine
and Hollywood." At his Canoga Park studio, The Character
Shop, Lazzarini demonstrated one of his newest
inventions, peeling back the silicone skin from a face
model that may soon be on the market for simulated
plastic surgery and face-lifts. On a table next to him
sat a model of a knee with an authentic bone
structure. Although neither is fully developed, Lazzarini said,
they represent the mushrooming possibilities for
endoscopic surgery. So far, The Character Shop is
believed to be the only company in the nation making such
models. For now, he keeps several staff artists busy
molding and painting models of the uterus, gallbladder
and hernia for dozens of orders from hospitals and
practitioners in the United States and Europe. They work alongside others creating mechanical horses,
elephant heads and ghoulish masks for upcoming films and
TV ads. "There's kind of an irony there," Lazzarini said.
"On one film, we might be spilling someone's intestines
out, but the next week the same person could be working
on a model with the viscera intact." Creatures for the
movies must look real from the outside, but when
designing surgery models Lazzarini has focused on making
the human parts seem authentic on the inside. For surgeons, texture counts. Each organ has a
different feel against the tug of surgical graspers,
cutting tools and staplers. Lazzarini's bile duct has
received the most praise. "When you put your endoscope
inside that model, it really looks like the real thing,"
said Phillips of Cedars-Sinai. "It absolutely replaces
the need to use animals." To research the look and feel of human organs,
Lazzarini thumbed volumes of surgery photos. Then he
scrubbed down, donned a surgical mask and witnessed
operations at EndoCare. "After so many years making blood
spurt out of bodies and flying heads, it was weird,"
Lazzarini said. "When I saw the real thing, I had to look
away."
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1995-98
CALENDAR
Body Shop: Hollywood Lends Surgeons Helping Hand
SPECIAL TO THE TIMES
Model organs created for medical
training
by The Character Shop.
Makeup effects artist Michael
Esbin
works on "organ" for The Character
Shop.
Rick Lazzarini with mask designed for
medical training.
Such creations may soon be available for simulated
plastic surgery and face lifts.
Rick's note: Excellent coverage of one of our
sidelines!
Article from Los Angeles Times,
Valley News, July 10, 1994
Article reproduced for review purposes.
Copyright Los Angeles Times, 1994
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